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“You keep still, Betsey! I’m going to watch!” he exclaimed, as if some one had spoken.,
He threw himself on the bed and wept the bitterest tears he had ever shed in his life, tears of shame. There he lay—hours, he thought—determined to bear his pain and disgrace alone. Yet it was only minutes when he heard his mother in her room, coming!,
Nell’s answer was somehow strangely muffled.,
At the door of the Crump household, Moses stood before the daughter of the house who answered the bell, burning hot with the fever of an overwhelming embarrassment. His body glowed so that steam might have been seen arising from his dripping garments. He almost yearned for incarceration in an ice-house. His personal pulchritude had not been enhanced by the experience and the critical eyes of the young girl failed to express any degree of admiration or sympathy. More than ever Moses longed for the encircling arms of Betty.
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“That ole bantam has shore got some speeditood,” reflected Moses, in gasps, as he made several futile plunges for Tillie.,
Billy ducked his head into the cooling water, filled his mouth, and ran on. He could hear the painful breathing of the prisoners bearing the chest. It looked heavy, and he knew it was hard to carry, walking single file down the steep trail. How awfully they must feel, Billy thought. It was like the children in the fiery furnace. Did the men see that this was a tragic beginning of the just penalty for their sins? Cheats! Robbers! No, not robbers, boldly[221] risking life for booty, but cunning thieves, stealing from their fellow men, from widows, orphans, perhaps from his own mother; she had taken a counterfeit piece only a little while before.,
The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,
Yes, Billy had fainted for the first time in his[239] life. The two men, heedless of the Italian, took the boy up gently. One sat in the bed of the wagon and held Billy as easily as possible, while the other lifted May Nell to the seat, mounted beside her, and drove rapidly back to town.
When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.
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Billy could not remember that he had.
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“You romp!” came the disgusted voice once more. “You’d better cut your hair, and your skirts, and be a child again.”
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Bingbing-Li
Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.
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Halin-Chen Response,
>Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel.
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